By Diane Carson,Cynthia Baron,Mark Bernard
In 9 chapters, Baron, Carson, and Bernard reflect on meals in fiction movies and documentaries-from either American and foreign cinema. the 1st bankruptcy examines movie perform from the foodways point of view, providing a origin for the gathering of case reports that persist with. bankruptcy 2 takes a political financial system method because it examines the meals and the movie industry's rules that ascertain representations of meals in movie. In bankruptcy three, the authors discover foodstuff and nutrients interactions as a method for growing neighborhood in Bagdad Café, whereas in bankruptcy four they take a detailed examine 301/302, in which meals is used to mount social critique. bankruptcy five makes a speciality of cannibal motion pictures, exhibiting how the foodways paradigm unlocks the consequences of movies that dramatize one in every of society's maximum nutrients taboos. In bankruptcy 6, the authors display ways in which insights generated by way of the foodways lens can improve style and auteur reviews. bankruptcy 7 considers documentaries approximately meals and water assets, whereas bankruptcy eight examines nutrients documentaries that slip throughout the cracks of movie censorship by way of going into exhibition with no an MPAA score. eventually, in bankruptcy nine, the authors examine movies from a number of nationwide cinemas to discover the intersection of nutrition, gender, and ethnicity.
4 appendices supply insights from a meals stylist, a specific filmography of fiction movies and a filmography of documentaries that function foodways parts, and a listing of chosen works in meals and cultural studies.
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Additional resources for Appetites and Anxieties: Food, Film, and the Politics of Representation (Contemporary Approaches to Film and Media Series)
Appetites and Anxieties: Food, Film, and the Politics of Representation (Contemporary Approaches to Film and Media Series) by Diane Carson,Cynthia Baron,Mark Bernard